Beijing enchanted by Contemporary Japanese Art! A Visit to Mizma Gallery
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Jeonghwa Son_Editor
Art districts in Beijing along the Dashanzi, Jiuchang, Caochangdi and Baiziwan streets are full of life, basking in the attention of the world. The Caochangdi district boasts an art museum and a gallery designed by Ai Weiwei, and a magnificent artist studio. The highly acclaimed Ure Mail Gallery, Dooart and PKM gallery of Korea are competing in the area, and Japanese galleries are finally appearing, one by one. In particular, the debut of the Mizma Gallery from Nakameguro, Japan, attracts our attention. The reputation of this gallery has been on a steep rise with its manpower of young Japanese artists. The spacious gallery space displays traditional Japanese paintings in a contemporary style, and they exude the singular charm of Japanese art.
The theme of the first exhibition at Mizma Gallery, Beijing, is ¡®OFF the rail.¡¯ The concept captures aspirations for de-genre, de-normalization and an effort to deviate from a fixed orbit. One painter, Hiroyuki Matsukage, presented a photograph entitled Sakura (2004) at the opening, and attracted people¡¯s attention with a pop music performance titled Gorgeous. In the performance, he modified a saxophone to make odd sounds, and presented a variety of sounds and spectacles, including a strip show. His exuberant stage manner showed his free spirit in his approach to music and art. The quiet evening streets of Caochangdi were flooded with roaring sound, dazzling light and people from the ¡®Off the rail¡¯ exhibition.
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